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BASES OF THE COMPOSITION OF THE BOUQUET
Draftsmanship of bouquet valued from the old times. In
different peoples there are their rules of the composition of
compositions from it is color depending on that, to whom and bouquet is
intended on what occasion. But the determining role they always played
four moments: a form of bouquet, a quantity it is color in it, the
combinability of the color of those selected is specific the principle
of layout, which determines very designation of concrete bouquet.
Greatly much depends on the fantasy of compiler, his intuition. There
are the bouquets, which cause admiration, while there are such, which
make it necessary to reflect, to eat bouquets "with the value", "with
the hint", with THE DEFINITE MEANING, intelligible to volume, it is
entrusted to whom. Begin one should from the preparation it is color
for the bouquet, their cuttings. Shear itself is done at angle. If the
cut off flower immediately is not placed in the water, but after some
time, shear should be renewed. Moreover made this must be under the
water jet. Moistened thus shear will exclude the appearance of an air
lock, which would hinder the access of water to the stem. Better time
for cuttings it is color - the early morning. But if there is no such
possibility, it is possible to carry out to cutting in the evening,
after taking the necessary measures for that, in order to in the course
of night the cut off flower not of podvyal. For this it is necessary to
know the special features of each cut off form, rule of its preparation
for the accomodation into the capacity with the water. It is necessary
to remember that all cut off flowers do not transfer drafts and
straight solar rays. Do not place the cut off flowers next to the
stored ripe fruits, especially in the dry accomodation. Water is best
anything rain or distilled, and in winter - snow. Be located by night
flowers must in the cool place. Such forms as rose and jasmine, can be
immersed on the night in the cool water. In the morning flowers can be
sprinkled by water. But one ought not this to make with nartsissami,
tuberose and lilies, whose lobes can turn black from this procedure. If
the flowers nevertheless of podvyali, must be wrapped up by their moist
paper, immersed stems it is deep into the water and held in this
position hour -two. As far as the special features of accomodation into
the water of concrete it is specific it is color are concerned, there
is in the form a following: the stems of roses, hydrangeas,
chrysanthemums, lilac and jasmine before immersion into the water must
be split or crushed. The stems of pions, poppy, dahlia, puansettii
should be slightly annealed above the open flame (to lower into the
boiling water) and after this immediately lowered into the cold water.
This rule applicably for all it is color, stems of which contain
lacteal juice. Mimosa it is possible to place also into the hot water,
but to sprinkle only by cold water. On the stem of frezii it should be
made longitudinal cuts (2-3 cm) and then placed in the water of room
temperature. If flowers cut off with that calculation, that they must
be dissolved in the morning, but this occurs slowly, then to accelerate
blooming is possible in a following manner: to the liter of water are
added 1-2 drops of ammonium hydroxide, which, in the case of its
absence, can be replaced with the solution of cologne. Now directly
about the technology of the composition of bouquets from those cut off
it is color. First of all about their quantity. Accepted to arrange
bouquet from an odd quantity it is color in order to leave from a
strict symmetry, which is not inherent in any artistic concept. The
usual number it is flowering in the bouquet - 3, 5, 9 and so forth of
celebration assume large bouquets, but advantage of small bouquet in
its individuality, even intimacies, especially if gives itself its
compiler himself, which is especially dear. Optimum for all cases is
considered bouquet the size of 20-25 cm in the diameter. The smallest
bouquet - in the limits of 5-7 cm is often substituted by one flower of
rose on the long stem. But this does not mean that any type of rose
will approach. To consider necessary the taste of that, to whom rose is
given, its style of clothing and even time of the twenty-four hours,
when rose is entrusted. In the evening time preference, with all other
equal conditions, must be given to orange, red, yellow.
It is in the daytime necessary to select less bright and
garish tones. White rose will be always good. Returning to the bouquets
with the complex composition, whose purpose to dostich' the expected
decorative effect, it is necessary to remember that to dostich' this
effect it is possible only with the correct color combinations of the
colors of those selected it is color, their harmony. Multicolored
compositions allow the combinations of dark-blue color with the red,
red with the yellow, blue with the pink. But in any event these flowers
it is better to divide by green listvoy (by green flights) or by the
small flowers of the intermediate paintings, which ensure smooth
passage from one active color to another. The most harmonious
combinations: orange color with the dark-blue, violet with the yellow,
red with the green. White is combined practically with all colors and
nuances. It is possible with the composition of bouquets to be guided
by the universal principle of contrast it is color, invented by nature.
This - sequence it is color spectrum, that are been the components of
the white color: red, orange, yellow, green, blue, dark-blue, violet.
The bouquet, where the red color, being combined with the pink,
smoothly passes into the white, looks well. Dark-blue and blue flowers
harmonize well with the delicate pink, orange, yellow. If the sharp
contrast of those combined is color it is obvious, then it is necessary
to compulsorily introduce the plants of neutral tones between them.
Definite requirements must be satisfied, also, with the formation of
bouquet. The bottom of bouquet they must compose bright and large
flowers, and the top - smaller and tender on the painting. Bouquet can
be round or one-sided. The flowers are located evenly from all sides
and are directed outside in round. One-sided bouquets assume
directivity it is color to one side, moreover they have the obvious
difference in the length of stem. Such bouquets are placed usually in
the angles of accomodation and those places, where is assumed one-sided
survey whatever was the form of bouquet, flowers in it must be arranged
freely and naturally. It will be bad to look the bouquet, where the
flowers are tightly forced against each other.
So that the bouquet longer would remain, it is necessary
with its compositions to consider this moment, as the incompatibility
of separate it was color with each other. As an example, lily suppress
the poppies, which rapidly wither from this proximity. Roses will
always accelerate fading it is color in one bouquet (therefore,
probably and it is justified the donation of one rose). Tubular lilies,
lily of the valleies, nartsissy and carnations are the aggressive
oppressors of majority it is specific it is color. Nartsissy for this
reason badly get along with the tulips. But tulip feels itself
wonderfully with the branch of kiparisovika. Branch geraniums or thuya
are very desirable in any bouquet, since they contribute to the safety
of those cut off it is color.
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